The Appeal of Indian Goddesses
It is true, as Jung said, that we cannot help but view foreign cultures through our own Western eyes. It is always “they” in contrast to “us.” This is why he was opposed to Western adaptation to Eastern religions and practices. At best we turn the practices into “techniques” which bear little if any relation to the true sources of those religious practices. Jung refers to the Exercises of St. Ignatius Loyola as comparable although different. However, for many seekers today to meditate on the life of Christ would be meaningless. Eastern meditation practices on the other hand have proved eminently adaptable.
Ten years ago I became acquainted with the India goddess Devi, unfortunately not in India, but secondhand, first having read a review of the spectacular exhibit “The Great Goddess” at the Smithsonian, and later through studying many illustrated works about her. Devi, I learned, came in thousands of guises, such as Durga, Ma, Kali, Shakti. Kumari, Lhamo. Every village in which she was honored gave her a different name. Her lineage is traced to pre-historic times and she is to this day widely worshipped throughout India, Nepal and Tibet.
We Catholics had Mary, Virgin and the Mother of God. After Mary’s death she was taken up bodily into heaven where she now reigns side by side with Father, Son and Holy Ghost. Jung referred often to Mary. When her Assumption became dogma in 1950 he was elated for to him it meant that the Holy Trinity had now achieved the perfection of a Quarternity. Catholic women I knew of my generation had no special devotion to Mary, nor did I. ( An old nun I knew once said to me: “It’s the men who need Mary.” ) The insipid statues and pictures of her and those dreary Perpetual Novenas to her did nothing to incite our devotion. At that time her great “Magnificat” was sung or said only in Latin so we were not able to appreciate her jubilant response to having been called to become the Mother of God. We Catholics were to turn to Mary to help us in our need and she would intercede for us, but otherwise her role was a passive one. “Be it done unto me according to they word.”

India’s religious imagery alone caught me, not its history, religions or spiritual practices. I was captivated, nearly exclusively, by the paintings and sculptures of Devi in her myriad manifestations, but particularly in her Durga aspect. No doubt I was drawn to her because my ideas about women had been transformed by the feminist movement of the sixties and seventies. Also, I had by then rejected the model of women as submissive and sacrificial victim, an ideal that had been fostered by such great Catholic luminaries as Paul Claudel, Leon Bloy, Georges Bernanos, Charles Peguy as well as T.S. Eliot (The Cocktail Party) and Evelyn Waugh (Brideshead Revisited) and that had sentimental appeal to me in my fervent years as a Catholic.
The shifting forms of Durga, whether that of a many-armed fierce warrior or a full breasted, smiling and benign figure, I found delightful and stirring. Whether at rest or in full battle regalia, in her fullness and many-sidedness, she was a dynamic embodiment of the feminine. The Devi were worshipped as either greater than the male gods or their equals, a cosmic force, shakti, out of which life itself came forth. With the help of Jung’s method of active imagination, this magnificent fantastic imagery offered revelations of the feminine, that I don’t believe would have been possible in my own Western, Christian culture.
The Polish poet and indomitable traveler, Zbigniew Herbert, found that in his encounters with a strange cultures he experienced “fresh perceptions and a feeling of awe,” to which the natives had become inured. Although the Westerner may not understand the full depth of another culture, even its strangest elements may have a compelling attraction that need not be refused.